Hey all, quick note for you on an upcoming exhibit to appeal to the bookish among us. The Currier has an exhibit starting up this weekend highlighting three book illustrators from New Hampshire: David M Carrol, Tomie dePaolo, and Beth Krommes. I’m admittedly most familiar with Tomie dePaolo (as is anyone who watched Reading Rainbow or has young kids, I would imagine.) A quick perusal of the internet tells me that David M Carrol is a naturalist artist and Beth Krommes illustrates children’s books as well.
Per the Currier:
Original artwork from their most popular books will be shown alongside drawings illuminating their creative process. Together with the published books, these drawings offer unique insights into how these beloved publications were produced.
Its an interesting look at the creative process but also the book publishing process, at least from the illustration side, and looks intriguing. The exhibit runs June 16 to September 9, so I’ll be trying to check it out this summer.
Let’s just gloss right over how absent I’ve been and move to the good stuff, huh? In all seriousness, it is amazing to me how quickly the semester has flown by. I have a couple items worth sharing so you’ll see the blog stir to life once more.
First up, at the beginning of October I was able to visit the Currier again and view two of their limited time exhibitions: Toulouse-Lautrec and Monet. How fortunate for me, since I love impressionist and I have a deep rooted fondness for French poster art.
The Monet just closed this week, so hopefully you were able to go visit. It was a spotlight of 4 paintings tracing the evolution of his painting style. It was wonderful. My favorite of the pieces happens to be the one that is part of the Currier’s permanent collection, so you can still see it without the other pieces. That one is The Bridge at Bougival, which isn’t full on impressionist but its not the style of the times either. The exhibition description calls it “one of only a handful of early pictures that foreshadow Monet’s development of impressionism.” And its true. The exhibit itself had an explanation about how he was playing with depth of field, not using traditional methods but conveying it all the same.
A close runner up for my favorite of the four pieces was Charing Cross Bridge, which I’m sure will seem familiar if you’ve seen any of Monet’s London works. I love the way he captures the light and the fog, and the colors that go into both. That one is from the MFA in Boston, so its not too far afield.
Second was the Lautrec. Man, I love those poster. I don’t even really know why, I just always have. They’re just this wonderful fusion of life in both the beautiful and the mundane, and there’s a frenetic energy in some and a bone-deep weariness in others. They’re just fabulous (and bless my husband for accompanying me when he doesn’t care one whit; he’s an architecture and sculpture fan). The Lautrec is on exhibit until January, and you can see more about it on the Currier’s website.
The Monet didn’t allow for pictures, but the Lautrec did so I had a couple up on Instagram that I’ll share here as well.
And, as always, a few more fun items spotted at the museum:
The Hammer Museum is on the campus of UCLA, so I imagine that a majority of folks haven’t been able to view the collection. I was able to visit the Hammer as part of a tour of LA Area museums (which is a blog for another time but also a totally worthwhile trip). The Hammer recently received a grant to digitize some of their archives and exhibits.
The first exhibit is an examination of African American art in Los Angeles during the 1960s. The art from the exhibit is online, as are the lectures, essays, and presentations that surrounded the exhibit. They are planning on two more exhibits with the same supporting information as well.
This is a good example of the rise of digital exhibits in the museum and library world– we can’t travel as often as we’d like or visit all the museums we may want to, and the rise of these digital archives allows us to see more exhibits, view more art, and hopefully experience more than we otherwise might have.